
许雁真来自监狱,所以姜心羽认为她是最合适的人选,因为她出事不会有人在意,不会带来麻烦。她没有背景,没有父母,没有朋友,当然她还出自监狱,这个败绩所烙印的身份在出事时会更加让人信服。故事的背景来自民国时期,从电影中可以看出在圈子里,古玩名画受到很多人的追捧,当然也少不了外国人,所以故事的中心从人物许雁真的画笔仿制到文物留存,也就是防止国宝流落异国他乡,他们的赤诚之心印着大义。故事中女二号姜心羽的性格很孤冷严肃,那或许是那个时代的生存之道,很难放下冷酷来透露真心,但在影片中后期,姜心羽对许雁真给香烟画的宣传画中评价到她的画有种巾帼不让须眉的感觉,这句话很优美,也很使人放松,所以影片以此为转变,当女主看着许雁真跌跌撞撞的抽烟时袒露出了不易的笑容,柔软、开心、性情是她当下的情绪状态。说起感受,许雁真还是有几处人生感到灾难性的时刻,那是仿造法国文凭连钢印都制作出来却忽漏了文件存在隐形防伪编号,这种感觉好像大难当前,要凉透了,绝望、呆厄。之二是她和女主在拍卖会上捂嘴沟通,她捂嘴的动作被拍卖员误认为是出价,所以在拍卖会就不要随便举手啊!要不然接下来要面对的就会像电影中许雁真一样,无力辩论,绝望,惨痛。说一下许雁真这个名字,开篇许雁真一步一步的行走就像一步一步的模仿,她是艺术画痴,沉浸于模仿和制作之中,她的名字就带了相似赝品的赝字的谐音,不止于模仿,更是极致的创作,她的名字同时还带了一个真字,反义的背后是对艺术的向往、追求逸品,以及全剧中心思想仿造画件的说明。许雁真对画的痴迷达到了狂热的程度,这在她陪同姜心羽在拍卖会现场的时候就可以体现,她看见一幅幅名画,会兴奋的叫着画名的凑前上去观摩,从这里,镜面的痴迷程度,也是故事想表达的现象青出于蓝胜于蓝。许雁真的故事既是仿造,也是不断闪耀的精进。影片分为上中下三个部分,在上篇中,她要仿制宋徽宗皇帝的竹禽图,只有十余天的时间,目的是防止名画流落异乡。在仿制竹禽图的故事中,许雁真说出来很多专业的绘画名词,有绘制技巧、绘制工具的选用,以及绘制所用的纸砚,专业度很高吧…
Xu Yanzhen comes from a prison, so Jiang Xinyu believes she is the most suitable candidate because no one will care about her if something happens and she will not cause any trouble. She has no background, no parents, no friends, and of course, she comes from prison. The identity imprinted by this defeat will be even more convincing when something happens. The background of the story comes from the Republic of China era. From the movie, it can be seen that in the circle, antique and famous paintings are highly sought after by many people, including foreigners. Therefore, the center of the story is from the character Xu Yanzhen’s brush imitation to the preservation of cultural relics, which is to prevent national treasures from wandering abroad. Their sincere heart is imprinted with righteousness. In the story, the character of the second female lead Jiang Xinyu is very lonely, cold, and serious. Perhaps it was the way of survival in that era, and it was difficult to let go of her coldness to reveal her true feelings. However, in the later stages of the film, Jiang Xinyu commented on Xu Yanzhen’s cigarette propaganda painting, saying that her painting had a feeling of being a woman without eyebrows. This sentence is very beautiful and relaxing, so the film takes this as a turning point. When the female lead watches Xu Yanzhen stumbling and smoking, she reveals a difficult smile, and her soft, happy, and temperament are her current emotional state. Speaking of feelings, Xu Yanzhen has experienced several catastrophic moments in her life. It was when she made a fake French diploma and even stamped it with a steel seal, but suddenly missed the existence of an invisible anti-counterfeiting number in the document. This feeling seemed like a great disaster, about to cool down, hopeless and stunned. The second reason is that she communicated with the female lead by covering her mouth at the auction. Her covering of her mouth was mistaken by the auctioneer as a bid, so don’t raise your hand casually at the auction! Otherwise, what we will face next will be like Xu Yanzhen in the movie, powerless to argue, desperate, and painful. Let’s talk about the name Xu Yanzhen. At the beginning, Xu Yanzhen’s step-by-step walking is like imitating step by step. She is a fan of art and painting, immersed in imitation and production. Her name carries the homophonic sound of counterfeit characters that resemble imitations. It’s not just imitation, but also ultimate creation. Her name also carries a real character, which implies a longing for art, a pursuit of luxury, and an explanation of the central idea of imitating paintings throughout the play. Xu Yanzhen’s obsession with painting has reached a fanatical level, which can be reflected when she accompanied Jiang Xinyu to the auction site. She would excitedly call out the names of famous paintings to come forward and observe them. From here, the degree of obsession with the mirror is also the phenomenon that the story intends to express. The story of Xu Yanzhen is both a replica and a constantly shining refinement. The film is divided into three parts: upper, middle, and lower. In the first part, she wants to imitate the bamboo and poultry painting of Emperor Huizong of Song, and only has more than ten days to prevent the famous painting from wandering in a foreign land. In the story of imitating bamboo and poultry paintings, Xu Yanzhen mentioned many professional painting terms, including painting techniques, selection of painting tools, and the paper and inkstone used for painting. The professionalism is very high, right