{"id":86,"date":"2026-04-12T18:17:16","date_gmt":"2026-04-12T10:17:16","guid":{"rendered":"https:\/\/www.movie.wkui.me\/?p=86"},"modified":"2026-04-12T18:17:16","modified_gmt":"2026-04-12T10:17:16","slug":"%e3%80%8a%e5%8d%87%e7%a9%ba%e5%8f%b7%e3%80%8b","status":"publish","type":"post","link":"https:\/\/www.movie.wkui.me\/index.php\/2026\/04\/12\/%e3%80%8a%e5%8d%87%e7%a9%ba%e5%8f%b7%e3%80%8b\/","title":{"rendered":"\u300a\u5347\u7a7a\u53f7\u300b"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"550\" src=\"https:\/\/www.movie.wkui.me\/wp-content\/uploads\/2026\/04\/1000027021-1024x550.jpg\" alt=\"\" class=\"wp-image-87\" srcset=\"https:\/\/www.movie.wkui.me\/wp-content\/uploads\/2026\/04\/1000027021-1024x550.jpg 1024w, https:\/\/www.movie.wkui.me\/wp-content\/uploads\/2026\/04\/1000027021-300x161.jpg 300w, https:\/\/www.movie.wkui.me\/wp-content\/uploads\/2026\/04\/1000027021-768x412.jpg 768w, 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style=\"font-size:16px\">The film continues from the movie &#8220;The Bicycle Thief&#8221;, with a similar plot and beautiful aerial shots shot at the camera&#8217;s location in the scene scheduling. The plot serves as proof, while the scene scheduling is derivative, as if this derivative is an artistic feeling, that is, under what circumstances &#8220;feelings&#8221; will produce beautiful images, but the photographer needs to have strong compositional balance. The male protagonist Kasserin is a worker who accidentally obtains assets from a friend who may be filled with despair about life, but the movie does not provide specific footage of his suicide. From here, the prop box is printed with Cassip, soup, and cash, indicating that whether from a criminal perspective or in a world of nothingness, wrong decisions made between thoughts may be permanent, like being wanted and having to hide for a lifetime, or squatting until the end of their sentence and release. The film can be said to be a crime film, which, together with the movie &#8220;The Bicycle Thief&#8221;, expresses the defense mechanism of thieves. When the protagonists want to find the thief, their method may be to communicate in their brains to encounter the thief in real life. The same result is that they arrange faces that look similar to each other, but in reality, their appearances are vastly different and they all have their own positions. Casselin was sentenced to prison for attacking a stranger he mistook for a thief through this method. When it comes to the role transition between theft and robbery, the lighter he used changed twice, from a match to a lighter. It is unknown whether he stole it or found it. However, what is more interesting is that there are several scenes depicting him not knowing how to use the lighter he received, which is clumsy and not knowing how to close the soft top of a sports car that his friend gave him. Speaking of the prison, the protagonist Kasserin looked familiar to his fellow inmates, like someone who stole his money. However, his fellow inmates also avoided him in their hearts, perhaps wearing glasses and looking alike. They then cooperated with the escape, finding someone to make documents and the cargo ship to leave. The plot here can be considered as a supplement to &#8216;The Bicycle Thief&#8217;, depicting the plot after being imprisoned. Although in Ritchie&#8217;s era, regional poverty did not provide him with many channels to obtain money and arrange things like in this film, it can also be considered as a supplement to a different type of plot. The plot of both films is portrayed as cruel and indifferent, depicting the social atmosphere of the protagonists when they were stolen, and showcasing their experiences during catastrophic moments in their lives.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u5f71\u7247\u5ef6\u7eed\u4e86\u7535\u5f71\u300a\u5077\u81ea\u884c\u8f66\u7684\u4eba\u300b\uff0c\u76f8\u4f3c\u7684\u5267\u60c5\u548c\u573a\u9762\u8c03\u5ea6\u4e2d\u6444\u50cf\u673a\u6240\u5728\u4f4d\u7f6e\u62cd\u6444\u7684\u552f\u7f8e\u7a7a\u955c\u5934\uff0c\u5267\u60c5\u5b83\u662f\u8bc1\u660e\uff0c\u573a\u9762\u8c03\u5ea6\u5b83 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-86","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.movie.wkui.me\/index.php\/wp-json\/wp\/v2\/posts\/86","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.movie.wkui.me\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.movie.wkui.me\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.movie.wkui.me\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.movie.wkui.me\/index.php\/wp-json\/wp\/v2\/comments?post=86"}],"version-history":[{"count":1,"href":"https:\/\/www.movie.wkui.me\/index.php\/wp-json\/wp\/v2\/posts\/86\/revisions"}],"predecessor-version":[{"id":88,"href":"https:\/\/www.movie.wkui.me\/index.php\/wp-json\/wp\/v2\/posts\/86\/revisions\/88"}],"wp:attachment":[{"href":"https:\/\/www.movie.wkui.me\/index.php\/wp-json\/wp\/v2\/media?parent=86"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.movie.wkui.me\/index.php\/wp-json\/wp\/v2\/categories?post=86"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.movie.wkui.me\/index.php\/wp-json\/wp\/v2\/tags?post=86"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}