崎岖的人生和莫须有的愤怒，被一条简讯所化解，这种崎岖的人生正是用来应对关于A唉的各种遭遇和对世界的认识，虽然谈不上涵盖了多少知识，但内容还是有的，不过我想也没有什么用吧。影片属于纪实性虚构作品，主角巴迪在旅途中遇到的捡塑料袋的人，他询问辛苦劳累的人说：“你身上的衣服是在哪找到的？”，他漂着嘴说是上星期在附近找到的，衣服上的文字显的很独特和吸睛。巴迪随后问你认识衣服上的文字吗？他没有回答，所以他对这个人很火大，骂起了脏字。在一个下午，巴迪开着吉普车穿梭在伊朗的城市，他路过人群，好像路过伊朗这个国家的发展，那是本土人民从腹不裹衣的贫困，到衣装穿着有质量上提升的路边求职；是从简陋的荒野房屋，到城市的繁荣构建；再到遇见天真的孩童，仿佛和平万岁（没有炮火的年代，孩子脸上总会洋溢起纯真的笑容）；他最后路过了本片的故事内容，巴迪想骗走保险钱，路边喧闹着沸腾着保险的金额，他有点紧张，但他没有多想，开走了。影片传达了在1997年这个年代，伊朗想形成一种独特又强大的人民性格，特别希望能有这样一个民族性格来支撑国际形象。影片同时也有一定的教育意义，它是面对国外人员要金钱援助时的欺骗识别；它是对与人腼腆时的性格形容，那是不认同他人，与他人保持距离的最本质的拒绝。它也是在主角遇到他人拒绝配合他骗钱而抹脸安慰的旁敲侧击、话术勾引。剧情很轻量化，它没有复杂的故事，没有复杂的人物，是一部公路片，是对现实的照映，它很直接，也像主角一样总是搓手（安抚、谋划、想办法）来引导剧情，瑕不掩瑜的说，影片拍摄分为车内和车外，车内也占有很大一部时间，但这没有产生厌恶，对话也总是有趣，虽然前半段巴迪总是有很多话题可以聊，但后半段，他遇到了一个人，他没有回应这个滔滔不绝的人的任何话题，可以想象是多么无奈。
The bumpy life and unfounded anger are resolved by a text message. This bumpy life is precisely used to deal with various experiences about A Ah and the understanding of the world. Although it does not cover much knowledge, there is still content, but I think it is not very useful. The film is a factual fiction work, in which the protagonist Buddy meets a person picking up plastic bags on his journey. He asks the hardworking person, “Where did you find the clothes on your body?” With a floating mouth, he says he found them nearby last week, and the text on the clothes looks very unique and eye-catching. Buddy then asked if you knew the text on the clothes? He didn’t answer, so he became very angry with this person and started cursing dirty words. One afternoon, Buddy was driving a jeep through the cities of Iran, passing by crowds of people who seemed to be passing by the country’s development. It was the local people who went from poverty without clothing to job seeking on the roadside with improved quality of clothing; From rudimentary wilderness houses to the prosperous construction of cities; When encountering innocent children again, it feels like peace is forever (in the era without artillery fire, children’s faces will always be filled with innocent smiles); He finally passed by the story of this film, and Buddy wanted to cheat the insurance money. The roadside was noisy and boiling with the amount of insurance. He was a little nervous, but he didn’t think too much and drove away. The film conveys that in the era of 1997, Iran wanted to form a unique and powerful national character, and particularly hoped to have such a national character to support its international image. The film also has certain educational significance, as it identifies deception when faced with foreign personnel seeking financial assistance; It is a description of a shy personality when interacting with others, which is the most essential refusal to identify with others and maintain distance from them. It is also a side attack and verbal seduction in which the protagonist tries to comfort others who refuse to cooperate with him in defrauding money. The plot is very light, without complex stories or characters. It is a road movie that reflects reality. It is very direct and, like the protagonist, always rubs his hands (soothing, planning, and finding solutions) to guide the plot. The flaws do not overshadow the beauty of the film. The filming is divided into inside and outside the car, and the car also occupies a large part of the time, but this does not generate disgust. The dialogue is always interesting. Although Buddy always has many topics to talk about in the first half, in the second half, he meets someone and does not respond to any of the topics from this talkative person. It can be imagined how helpless he is.